Katy Abbott is an Australian composer based in Melbourne. Abbott says of her music: 'In my music, I am trying to capture the little things that make us human or happen to us because we are human. I seek to unpack the human side of life; humour, foibles, quirky things we do and say, beauty, grief and friendship'.
Katy Abbott’s (1971) music leads the listener through a narrative of sound, exploring concepts of home, place and human nature, frequently exhibiting a cheeky humour and cleverly juxtaposing contemporary flavours on traditional settings.
Abbott’s compositions have been performed, published and recorded around the world, brought to life by many of leading Australian ensembles including Halcyon, The Song Company, Syzygy Ensemble, Ironwood Chamber Ensemble and several major symphony orchestras. Her works have been played in UK, Europe, Asia and the USA and featured in Australian and International music festivals including the International Alliance of Women in Music (IAWM), conference in Beijing and the Melbourne and Perth International Festivals.
A versatile creative talent, her body of work incorporates orchestra, chamber and music for voice, an area where she exhibits a particular flair. She completed her PhD in 2007 including a guide to writing for the voice as her thesis, working with Brenton Broadstock and Linda Kouvaras at the University of Melbourne. Several of her works appear on the AMEB, ANZCA and VCE/HSC syllabi.
Abbott won the 2013 Boston Metro Opera ‘Gold Medal for Art-Song’ for her new song-cycle The Domestic Sublime and the 2011 Albert H. Maggs Award for Composition. She also spent several weeks at Banff at the Centre for the Arts on an independent residency at the Leighton Colony.
Orchestral works include The Peasant Prince commissioned Adelaide Symphony Orchestra, and is the story of dancer Li Cunxin, which premiered with great success in May 2009. Her symphony Souls of Fire (2004), was released in 2008 as a recording with the Kiev Philharmonic Orchestra. Recent work includes a new orchestral work, Introduced Species (2014) for Melbourne Symphony Orchestra Education Arm which explores the work of Australian artist Matthew Quick and the North Pacific Ocean’s Garbage Patch/Trash Vortex.
Apart from these orchestral works, significant compositions include song-cycle No Ordinary Traveler (2006) for Halcyon, MultiSonics (2010) for Australian bassoonist, Mark Gaydon, The Domestic Sublime (2011) recorded by Greta Bradman and Leigh Harrold, UndercurrenT (2011) for soprano saxophone and piano and Midnight Songs (2013) for flugel, trombone, guitar and loop pedals; recorded by Ensemble Three on their 2016 album Midnight Songs.
Abbott has three solo discs: Sunburnt Aftertones: The Chamber Music of Katy Abbott (Move Records), The Domestic Sublime: the vocal music of Katy Abbott (ABC Classics) and Famous (Leeward Side Records) Her scores are published by Reed Music, Promethean Editions (NZ), The Australian Music Centre and Morton Music.
Katy's current work (2016) is a festival piece for The Song Company and Syzygy Ensemble based on the 'hidden thoughts' of women collected in an anonymous survey.
As well as freelance composition, Abbott is Lecturer in Composition at Melbourne Conservatorium of Music, University of Melbourne.
© Rebecca Christensen. 2016